THE  BLOG

The Director in Focus Hampus Linder’s latest film Confessions of a Swedish Man , a deep-dive into the so-called manosphere, stands alone as a piece of professional and personal observation. That being said I can’t help but compare it to his previous work, Gudrun (The Feminist),  where he was embedded for five years following the Swedish politician Gudrun Schyman from her fall as leader of the Leftist party through to her reemergence and the creation of the Feminist Initiative

Gary Lewis Gary Lewis’s path to international recognition is anything but typical. The Scottish actor, now widely known for his powerful...

In an era where streaming platforms bombard audiences with endless choice, Walter Presents  emerged as a distinctive alternative,...

Each summer, the spa town of Karlovy Vary transforms into something electric. For more than seven decades, the Karlovy Vary International...

Amir Chamdin’s creative life began long before Infinite Mass or his first film set. It started in front of the television. As a kid...

Can Fiction Heal? Broken Voices  raises tough questions about art, memory, and responsibility. At this year’s Karlovy Vary International...

At this year’s Karlovy Vary International Film Festival one film stood apart from the rest. Miro Remo’s Better Go Mad in the Wild  not...

Fresh off its award winning run through the European festival circuit, Nina Knag’s debut Don’t Call Me Mamma  has come full circle. Last week it opened the Bergen International Film Festival to huge fanfare and rave reviews and on the 31st it will be available to the Norwegian public. The film, which explores the uncomfortable territory of a married teacher entering into an affair with a young asylum seeker wasn't an easy sell. It also created casting challenges. "Some actres